Just Rob Styles › Ukiyo-e

Hairline Gouge Relief

Style #585 · Print/Graphic · Ukiyo-e, Expressionism, Post-Impressionism

Sample image in the Hairline Gouge Relief style
Rendered with FLUX 1.1 pro

A print/graphic AI art style prompt drawing on Ukiyo-e and Expressionism. Copy the prompt below into any text-to-image model, then add your own subject at the end. The prompt only describes the look.

The blend

The prompt combines 3 ingredients and gives each one a job:

The fusion manifests as one black ink on white paper, hard knife-cut edges, and tone built only from line spacing, transforming any subject through pure two-value relief printing.

On 4 models

The same prompt and the same subject, rendered by different image models — so the differences are the model, not the prompt.

The Hairline Gouge Relief style rendered with FLUX 1.1 pro
FLUX 1.1 pro · the main image
The Hairline Gouge Relief style rendered with GPT-Image-2
GPT-Image-2
The Hairline Gouge Relief style rendered with Muse 1.0
Muse 1.0
The Hairline Gouge Relief style rendered with Nano Banana 2.1
Nano Banana 2.1

The prompt

Original

Katsushika Hokusai + Frans Masereel + Félix Vallotton's black-and-white woodcut, where Hokusai's brush-drawn keyblock line creates rhythmic curving contours through carved strokes that swell and taper from hairline to bold, Masereel's gouge work produces dense unbroken black masses via white lines cut out of solid ink, and Vallotton infuses grey-free flat planes in which uncarved paper white works as active shape. The fusion manifests as one black ink on white paper, hard knife-cut edges, and tone built only from line spacing, transforming any subject through pure two-value relief printing.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Model-neutral

The same look with artist names and copyrighted references removed — for models that refuse them.

Ukiyo-e brush-line keyblock printing + Expressionist wordless-novel woodcut + Nabis-era black-and-white woodcut, where brush-drawn keyblock line creates rhythmic curving contours through carved strokes that swell and taper from hairline to bold, gouge work produces dense unbroken black masses via white lines cut out of solid ink, and Nabis-era woodcut infuses grey-free flat planes in which uncarved paper white works as active shape. The fusion manifests as one black ink on white paper, hard knife-cut edges, and tone built only from line spacing, transforming any subject through pure two-value relief printing.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Effect only

The recipe removed — no artists, no wild card, no movements. Only what the style does to a surface.

One black ink on white paper, strictly two values. Contours run in curving, rhythmic strokes that swell and taper from hairline to bold. Dense solid black masses are broken only by white lines gouged out of the ink. Shapes are flat and interlocking with no grey, and blank paper acts as a shape in its own right. Edges are hard and knife-cut, and tone comes only from line spacing.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Using it

Tags

CategoryPrint/Graphic

MovementsUkiyo-eExpressionismPost-Impressionism

ArtistsKatsushika HokusaiFrans MasereelFélix Vallotton

TechniquesWoodblock PrintingHigh ContrastNegative SpaceContour LineBlack and White

Similar styles