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Dry-Drag Chalk Planes

Style #717 · Painterly · Impressionism, Post-Impressionism

Sample image in the Dry-Drag Chalk Planes style
Rendered with FLUX 1.1 pro

A painterly AI art style prompt drawing on Impressionism and Post-Impressionism. Copy the prompt below into any text-to-image model, then add your own subject at the end. The prompt only describes the look.

The blend

The prompt combines 3 ingredients and gives each one a job:

The fusion manifests as edges lost into the ground in shadow, crisp where a stroke ends, transforming any subject through cerulean, viridian and rose madder tints lifted with white.

On 4 models

The same prompt and the same subject, rendered by different image models — so the differences are the model, not the prompt.

The Dry-Drag Chalk Planes style rendered with FLUX 1.1 pro
FLUX 1.1 pro · the main image
The Dry-Drag Chalk Planes style rendered with GPT-Image-2
GPT-Image-2
The Dry-Drag Chalk Planes style rendered with Muse 1.0
Muse 1.0
The Dry-Drag Chalk Planes style rendered with Nano Banana 2.1
Nano Banana 2.1

The prompt

Original

Berthe Morisot + Édouard Vuillard + gouache on mid-toned board, where Morisot's long directional strokes create form from stacked opaque planes with unblended seams through quick alla prima laying-in, and Vuillard's close-valued matte colour produces chalky, softly dissolving harmony via narrow value steps, and the gouache infuses dry-brush drag where thin paint skips over the ground. The fusion manifests as edges lost into the ground in shadow, crisp where a stroke ends, transforming any subject through cerulean, viridian and rose madder tints lifted with white.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Model-neutral

The same look with artist names and copyrighted references removed — for models that refuse them.

Impressionist alla prima brushwork + Nabis distemper flatness + gouache on mid-toned board, where long directional strokes create form from stacked opaque planes with unblended seams through quick laying-in, and close-valued matte colour produces chalky, softly dissolving harmony via narrow value steps, and the gouache infuses dry-brush drag where thin paint skips over the ground. The fusion manifests as edges lost into the ground in shadow, crisp where a stroke ends, transforming any subject through cerulean, viridian and rose madder tints lifted with white.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Effect only

The recipe removed — no artists, no wild card, no movements. Only what the style does to a surface.

Opaque matte paint laid in long directional strokes that overlap as flat planes, with seams left unblended. Values stay in a narrow, chalky range of white-lifted tints. Thin dry paint drags and breaks over a mid-toned ground, leaving bristle streaks. Edges dissolve into the ground in shadow and turn crisp where a stroke ends. Surface is dull, with no gloss or smooth gradient.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Using it

Tags

CategoryPainterly

MovementsImpressionismPost-Impressionism

ArtistsBerthe MorisotÉdouard Vuillard

TechniquesAlla PrimaDrybrushGestural BrushworkMatte SurfaceLimited Palette

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